Elijah Nortey Thompson, popularly known as De-Thomson Beats (DDT), is steadily carving a name for himself as one of Accra’s most versatile music forces. A skilled sound engineer, beatmaker, and singer, DDT represents a rare blend of technical precision and creative charisma. Whether he’s behind the mixing console or delivering catchy hooks on the mic, his artistry reflects a balance of old-school production craftsmanship and playful, street-smart storytelling rooted in everyday Ghanaian life.
Before stepping fully into the spotlight as an artiste, DDT built his foundation as a dependable sound engineer and producer. His studio expertise earned him recognition for clean mixes, rich instrumentals, and radio-ready productions.
Over the years, he has released singles and riddims that highlight both his production mastery and vocal versatility. Songs like “Y3ni Da Ho,” “Vals Day (Wo Be Hu),” and the socially resonant “Drunkards Anthem” showcase his ability to switch roles seamlessly crafting the beat and delivering the hook with equal confidence.
Collaborations & Industry Credibility
Beyond his solo work, De-Thomson Beats has built an impressive production résumé. His creative footprint extends across projects involving notable Ghanaian acts such as Afriyie Wutah, Joyce Blessing, Dada Hafco, and Rose Adjei, among others.
These collaborations have strengthened his credibility within Ghana’s highlife, gospel, and contemporary Afrobeat circles. His ability to move across genres without losing his distinct sonic signature sets him apart in a competitive industry.
DDT’s adaptability is one of his strongest assets he understands the rhythm of tradition and the pulse of modern Afro sounds.
A Viral Breakthrough: “Honorable Waawe”
Late 2024 marked a turning point in DDT’s journey with the release of “Honorable Waawe.” The playful single unexpectedly gained viral traction, sparking radio buzz and social media conversations.
While some listeners interpreted it through a political lens, DDT clarified that the track wasn’t designed as a political anthem. Instead, it was intended as a cheeky reflection of cultural realities a satirical snapshot wrapped in infectious rhythm.
The song’s popularity demonstrated that DDT’s music could transcend studio boundaries and enter mainstream conversation a major milestone for any rising artiste.
Unlike many who glamorize the music business, De-Thomson Beats speaks openly about the financial challenges of building a career in Ghana’s entertainment industry. In interviews, he has shared candid insights about the heavy investment required from studio sessions to promotion often without guaranteed returns.
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